{"id":51034,"date":"2017-07-28T08:32:05","date_gmt":"2017-07-28T06:32:05","guid":{"rendered":"http:\/\/www.times.mw\/?p=51034"},"modified":"2017-07-28T08:32:11","modified_gmt":"2017-07-28T06:32:11","slug":"tay-has-greened-over","status":"publish","type":"post","link":"https:\/\/archive.times.mw\/index.php\/2017\/07\/28\/tay-has-greened-over\/","title":{"rendered":"Tay has greened over"},"content":{"rendered":"<p>There is a reason I like Claude McKay\u2019s poem \u2018Ten Haiku\u2019.<\/p>\n<p>The poem in question goes [in part, of course]: From watching the moon I turned And my friendly old Shadow led me home.<\/p>\n<p>This stanza [above] reminds me of the time Tay Grin, the beloved son of the soil who has brought us a number of international awards, was not known for his music prowess.<\/p>\n<p>Now, Tay Grin must have been watching the moon in Botswana at the time\u2014 which is basically the period before 2006. The moon, as a metaphor, could mean so many things here but, in Tay Grin\u2019s world, it should mean music.<\/p>\n<p>He must have watched musicians in Botswana make hay while the sun shined. Their version of the sun that is. He must have watched a new generation of artists in Botswana get \u2018hunted\u2019 by their fans. Yes, they could get hunted by cash-wielding fans, and get penned in a glorious spot that was prime time on television and what have you.<\/p>\n<p>He must have realised that, although he must have created a deep pile of time in Botswana, he was wasting precious time there. There was a music mine in Malawi.<\/p>\n<p>And so Tay Grin came, when Mr Splash was everyone\u2019s man. Television was no television without Mr Splash, a man I have come to know as the most humble and best of people in this land called The Warm Heart of Africa.<\/p>\n<p>The one thing that makes Tay Grin to be Tay Grin is his persistence. Tay Grin is a go-getter! Simple. And this is what has brought him this far; and all the awards.<\/p>\n<p>That time, Tay Grin could make it a point to promote his music videos. I am referring to his first music video that featured a mask dancer.<\/p>\n<p>Every two weeks, when Tay Grin observed that his music did not play, he would call the television station [MBC, I mean], reminding it about how good his music is.<\/p>\n<p>Tay Grin could plead, to the point of getting close to kneeling\u2014 just to ensure he was the centre of attention musically.<\/p>\n<p>And Tay Grin was approachable. A son of the soil.<\/p>\n<p>Well, fast-forward to 2017. Tay Grin is the man you have to seek out. He is having his moment in the moment; a moment he worked so hard for that he deserves it.<\/p>\n<p>It\u2019s his moment of relief; all anxiety of being overlooked in the music industry gone. There is time to watch the moon, and time to attend to one\u2019s own business.<\/p>\n<p>Now, that\u2019s what we call enjoying life<\/p>\n","protected":false},"excerpt":{"rendered":"<p>There is a reason I like Claude McKay\u2019s poem \u2018Ten Haiku\u2019. The poem in question goes [in part, of course]: From watching the moon I turned And my friendly old Shadow led me home. This stanza [above] reminds me of the time Tay Grin, the beloved son of the soil who has brought us a [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":40513,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-51034","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/archive.times.mw\/index.php\/wp-json\/wp\/v2\/posts\/51034","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.times.mw\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.times.mw\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.times.mw\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.times.mw\/index.php\/wp-json\/wp\/v2\/comments?post=51034"}],"version-history":[{"count":1,"href":"https:\/\/archive.times.mw\/index.php\/wp-json\/wp\/v2\/posts\/51034\/revisions"}],"predecessor-version":[{"id":51037,"href":"https:\/\/archive.times.mw\/index.php\/wp-json\/wp\/v2\/posts\/51034\/revisions\/51037"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive.times.mw\/index.php\/wp-json\/wp\/v2\/media\/40513"}],"wp:attachment":[{"href":"https:\/\/archive.times.mw\/index.php\/wp-json\/wp\/v2\/media?parent=51034"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.times.mw\/index.php\/wp-json\/wp\/v2\/categories?post=51034"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.times.mw\/index.php\/wp-json\/wp\/v2\/tags?post=51034"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}